Giuseppe Antonio Rocca is said to be one of the most excellent violin makers of the 19th century in Italy, up there with Pressenda.
In 1807, Giuseppe Rocca was born in a small village, Barbaresco, on Langhe Hills, near Alba, Piemonte.
He moved to Turin, where he learned techniques of violin making from the master craftsman, Pressenda from 1834 to 1838.
In 1827, he met a violin collector, Luigi Tarisio, which was the start of their close relationship, and firsthand saw the Stradivari “Messiah” 1716 and Guarneri del Gesu “Alard” 1742. So impressed was he with them that he copied them and made aesthetically and acoustically excellent artwork, many of which have been left for the following generations.
He was multi-awarded in exhibitions in Italy in 1844 and 1846.
Rocca’s golden period is said to be around 1838-1855. This violin was made in 1841, during the golden period, taking in his very specialty, the model of “Messiah.” No exaggeration can be seen on this violin, which is often recognized on other makers’ artwork. His style to copy “Messiah” is in the high level of precision. He also took care of antiquing for a graceful look.
Its sound is very powerful with brilliantly mature permeation and depth. Its capability to satisfy audience in a large hall will meet any soloist’s demand.